A Defiant Brush:Su Renshan and the Politics of Painting in Early 19th-Century Guangdong 好書推薦













細嚼慢嚥才夠滋味的A Defiant Brush:Su Renshan and the Politics of Painting in Early 19th-Century Guangdong是本不錯的藝術設計﹐剛出版的時候我就已經在看了

看完有一種說不出的感動,真的不錯,內容精彩,內容的每一個細節卻都令人驚艷

好看的藝術設計A Defiant Brush:Su Renshan and the Politics of Painting in Early 19th-Century Guangdong全書的內容大意



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A Defiant Brush:Su Renshan and the Politics of Painting in Early 19th-Century Guangdong曾在博客來 網路書店造成搶購熱潮。

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A Defiant Brush:Su Renshan and the Politics of Painting in Early 19th-Century Guangdong誠意推薦給大家看喔!



  • 出版社:香港大學出版社

    新功能介紹

  • 出版日期:2014/05/31
  • 語言:英文


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As the Opium War unfold in Guangdong Province, the painter Su Renshan (1814—c.1850) exploded onto the art scene with a bold, paradigm-turning new voice. A Defiant Brush takes a fresh look at this underappreciated artist in the context of a nascent Chinese modernism.

In 1839, Guangzhou has shifted from a cosmopolitan trading center with a diverse art world into a place of violence. During the following decade, one voice of discontent and defiance rang out above all others: Si Renshan. His provocative, uncompromising, and sometimes ugly paintings berate Confucius for his hypocrisy. He turns his brush trace into graphic lines that mimic the printed page, and he depicts women as alternative exemplars of a moral intelligentsia. It is believed that his outspokenness prompted his father to place him in prison for filial impiety, where he probably painted his last work. During this turbulent period of incipient modernity, close readings of Su Renshan's paintings within the rich contextual history of art in Guangdong Province reveal how the trauma of war prompted a re-evaluation of social and political values, and indeed the moral responsibility of a scholar-artist.





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態度是成功不變的真理:成功者必讀的29個生命真相,逆轉所有困難與挑戰的經典法門!



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  • 出版社:香港大學出版社

    新功能介紹

  • 出版日期:2014/05/31
  • 語言:英文


A Defiant Brush:Su Renshan and the Politics of Painting in Early 19th-Century Guangdong

















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內容來自YAHOO新聞

人間最後淨土! 新疆「喀納斯」 百萬人朝聖

帶您到新疆走走,位於蒙古、俄羅斯和哈薩克三國交界處的新疆「喀納斯」,被稱為是人間最後一片淨土,冰川作用形成的高山湖泊,外傳有水怪出沒,增添了不少神秘感,每年吸引百萬人次遊客前往。

八月的新疆風情萬種,草原、高山、沙漠和綠洲,各具千秋,這個距離台灣4千公里的地方,對台灣的民眾遙遠又陌生,印象是濃濃的西域風情。他們是維吾爾族人,能歌善舞、深邃的五官、高挺的鼻子,人口佔新疆47個民族第二,僅次於漢族,新疆總面積166萬平方公里,是台灣的46倍大,位處大陸西北邊陲,是實施「一帶一路」的領頭羊,位於海拔2千公尺的喀納斯湖,外型呈現月牙狀,是冰川作用形成的高山湖泊,被稱為人間最後一片淨土。

喀納斯湖位於海拔2千公尺以上,可以看到整個形狀是呈現長條狀,而且湖水相當的漂亮,而傳說裡頭有水怪,增添了神祕感,因此每年吸引很多遊客來這裡朝聖。喀納斯一年遊客突破百萬人次,為當地居民帶來了觀光財,在一帶一路加持下,今年可望再突破,新疆這個內陸自治區,在大陸推動的一帶一路政策下,展現了一流的開放態勢,隨著中亞國家的經濟實力快速提升,一個貿易重鎮也即將在大陸西北亮眼登場。



新聞來源https://tw.news.yahoo.com/間-後淨土-新疆-喀納斯-百萬-朝聖-101730235.html













A Defiant Brush:Su Renshan and the Politics of Painting in Early 19th-Century Guangdong



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